"Matthew Bugg's golden Ariel - as riveting as Peter Brook's trapeze-borne Midsummer Night's Dream - is visual rapture, with every sliding and wheeling move conveying magic and meaning. The final exchange ("I would sir, were I human") was perfect; so was the final flight to freedom.” 

 

The Independent on The Tempest

 

​

"A Blitzy wartime romance of gin gents and garter belts. The book is good, the story is absorbing, the songs are terrific" 

 

The Times on Miss Nightingale

​

​​

“Miss Nightingale is a showcase of enormous talent and a fantastic display of new writing.”

​

Musical Theatre Review on Miss Nightingale

 

​​

“Tremendous music by Matthew Bugg”

​

The Independent on The Secret of Sherlock Holmes.

 

​

“Matthew Bugg's sound... suggesting bondage of both a sado-masochistic and pschological kind, and a sense of imminent cracking open”

​

​The Times on The Father